Monday, May 3, 2010
Sunday, April 18, 2010
"If God Will Send His Angels" Scene
Finally...I finished my scene for my "Across The U2niverse" concept.
Here's the background of the scene:
The protagonist, David (that guy who looks strangely like me) just got done having a conversation with his best friend, Jess. They both kind of have a romantic interest in each other but neither has said anything to the other about it. Both are seniors in high school and Jess gets upset when David puts off making any sort of decision for what he is going to do the next year (Jess mostly wants him to come to the same school as her). He has applied to colleges but half of him does not even want to do. Jess accuses him of living only in his own technological retreat-world. This scene depicts David trying to make sense of things as he deals with what to make of the technological world that he is ever becoming more fascinated with--it's 1997, he has just gotten a laptop (a supreme rarity at that time for a high school student), and he is discovering the wonders of the Internet, AIM, and other related phenomena.
I have a feeling the idea makes a lot more sense in my own head...I hope this video at least communicates something that relates to what I just described.
Wednesday, April 7, 2010
Irish Music at the Ark
My past history with "real" Irish music doesn't go very far beyond PBS specials that my parents and grandparents made me watch, and all of these shows emphasized on the historical side, and how Irish music was. What I really loved about this performance is the large emphasis that the group placed on how Irish music is.
Sure, there were old songs, and historical background to accompany them, but there were also a lot of innovations, crossovers, etc. and I really think that the group's desire to perform this music authentically and well shone through, making for a great performance and a great reflection of what Irish music is.
Saturday, April 3, 2010
Fintan and Irish Dance
Friday, April 2, 2010
Irish Bands
Stealing My Own Thunder
U2 has, in a way, always had the idea that they do not want to sound quite like anyone else. That's why they've reinvented themselves about a dozen times in thirty years. More on this in a bit...;)
Seriously, though, U2's real roots are themselves. Their inspiration is whatever they want it to be. It's not predetermined. U2 is very particular about what music they put out--they have hundreds of songs basically stuck in the archives that leak out here and there that are really good but that they don't want to release because they are not about fulfilling a set profile on each album--they are about forging into new territory.
Traditional Irish bands are rooted strongly in being Irish. It's what they fall back on. In one sense it's just as wonderful as U2's desire to always be changing, this being strongly rooted in tradition. It's hard to find something as rich as a tradition like that on your own. It's resting on the shoulders of a giant--whatever way you want to take that.
I feel like I more or less said what Natalie said...but that's basically what it is.
Thursday, April 1, 2010
The Night My Social Interaction Skills Were Shattered
That said, the musicians themselves were probably the most surprising part of the night. As I said in class, I didn't expect them to be Irish. I know, the idea of a traditional Irish band made up of Americans seems ludicrous now, but it made sense at the time. It was probably some of the themes we've talked about in class that made me feel this way, like not fully relating to a culture because one grows up with it or Ireland's insecurities. To me, it made more sense for a group of rugged, elderly American men to be playing the music, nostalgic for the "good old days" in a country they've most likely never been to. The fact that young, energetic Irish musicians are genuinely excited to play their country's music was shocking but almost refreshing; it's rare, after all, to find young Americans playing traditional music with so much enthusiasm. I mean, these musicians travel the world playing their music, songs they've probably grown up with. I, on the other hand, have come to loathe certain songs I felt were forced upon me as a kid. If anything, the concert made me feel less touristy and romantic for being interested in traditional Irish music and culture. If it's still relevant to the youth of the country, it must not just be a tourist trap.
It's late and I'm rambling, so I won't get into one of the most embarrassing moments of my life that took place after the music. I won't mention making extended akward eye contact with the cool Chicago piper or blushing obviously while being introduced to the cool Irish musicians. No, I'm not going to swallow my pride that much tonight. For the record, though, I still feel socially awkward.