Thursday, May 20, 2010
Ireland and Immigration
Overall, Ireland has a much smaller immigrant population than other countries in the UK. Although the number of immigrants in Ireland is comparably small to other European countries, the issue of immigration is emphasized due to Ireland's small size, as well as their unique history and strong traditions. Ireland has historically been a homogenous population; solely white and Irish. Further, Ireland has unique traditions include the Irish language Gaelic and step dance. Some feel that these unique traditions could be threatened by the increasing influx of immigrant populations, who bring different traditions and languages to Ireland.
Speaking with native Irish gave me an idea of the resistance and hostility some Irish feel concerning the immigrant population. Of the many people I spoke with, these are a select few. I spoke with a student from UCD named Thomas O'Mally, who seemed incredibly resistant to the influx of Irish immigrants. His father had recently lost work as a furniture maker, and he felt that the immigrant workforce had prevented his father from finding another job. On the other hand, many immigrants felt positively about coming to Ireland. I met PJ, a jewelry maker from Argentina, in the Galway street market. He said that life was far better in Ireland than in Argentina . Although he held one of the most lowly jobs in Irish society, PJ felt he lived a more comfortable life in Ireland and was able to better support his family. I also spoke with Babu, who was a service worker at the Jury's Inn at Croak Park, where my mom and I stayed for a night. Babu was from India, and was studying at Trinity. He was only allotted a visa to study in Ireland, instead of citizenship. However, Babu was working to obtain citizenship from the Irish government, and said he wanted to bring his family over from India.
Overall, I felt the contentious issue of immigration in Ireland mirrored that in America. In America, the immigration controversy is more concrete, as Arizona just passed immigration laws essentially based on one's appearance. This law is considered by many, including myself, to be incredibly discriminatory and an unreliable form of keeping immigrants out. During my presentation, we spoke about the Economist's take on immigration in America, in which America would let all immigrants in. However, there seems to be no way that this concept will be acceptable in the near future in either Ireland or America, as there is so much resistance to the immigrant population. Finally, American issues with immigration seem to be heavily divided on party lines; the Democrats generally want to loosen or uphold current immigration regulation, while the Republicans want to tighten immigration laws. However, immigration does not seem to be divided along party lines in Ireland. Rather, the issue is divided between native Irish and the immigrant population. The native Irish resistance to immigrants seems fairly widespread and pervasive in the country. Overall, I learned so much in Ireland. I miss it already!
Saturday, May 15, 2010
Ireland Love
When I was wandering about Dublin and meeting so many new and interesting people, I realized I was trying so hard not to be the one thing I was; a tourist. When I visit a new country or place I don't want to be "that girl" who's taking pictures and asking for directions. The most important thing is to blend in. I don't really know why we often do this, or why it seems so important for us to make sure we aren't fulfilling that image of the annoying tourist complete with the overly large camera, fanny pack, and of course a tacky button up shirt. Obviously most tourists do not look like this, but every time I decide to snap a picture I can't help but wonder what the native Irish people are thinking. Maybe this tourist phobia is partially a result of where I work during the summer which is a place completely filled with with these tourists who drive all of us employees crazy most days. They all move a little bit slower than everyone else, I think they often forget that people actually live and work on this island. However, as much as we loath their ridiculous questions, their tendency to stop and stand in the middle of the road, and their awkward photo-ops, we wouldn't have a job without them.
When I brought up this question of avoiding "touristy" behaviors during the presentations I got a few answers. I remember one in particular dealing with the fact that we may be embarrassed by our country. I thought about this for a few days and I realized that this may be the root of this issue. I personally am slightly embarrassed by my country's actions in the past few years, however, I can't say for sure that this is the sole reason I hate being an "American tourist". I don't hate my country, I just think there's a lot of things that could have been done differently, which may be why I'm so attracted to foreign countries and their cultures. To me, they often are much more appealing than my own. I did notice though that Irish people do seem to like Americans. I didn't really meet anyone who had a negative opinion towards us when they found out where we were from. Though, at the same time I think its possible that America's lack of cultural cohesiveness might appeal to a country who seems to have maintained a one culture mentality.
While in Ireland, I noticed a extreme importance with the last name, certain last names have a differing levels of importance. The people who seemed most adamant about telling us their "second names" had some of the more common names I associated with Ireland, such as O'Mally and O'Sullivan. When I told some of the nice young gentleman we met that my family's Irish name was King they pretty much laughed in my face. Apparently it wasn't "Irish" enough. Whatever that means. I found that in the past, Irish last names had something to do with the way land was distributed and where people lived. I think some last names were associated in with a higher ranking than others, which has seemed to continue through today, though it is not as apparent. I found this interesting when thinking about American culture because when we ask each other who we are or where we are from we often have multiple countries and cultures we list. But, in Ireland, when you ask where someone is from they might give you their last name and tell you a part of Ireland where their family name originated. It was interesting to see how different American really is from other cultures. It would be weird to only have one place of origin rather than four or five. Overall, I found the experience in Ireland amazing, especially learning about the Irish culture. I would love to go back. Cheers! :)
Friday, May 14, 2010
Ireland and America Connection
Ireland and America: The American connection
Over my short stay in Ireland I’ve noticed a strong connection between the Irish people and America that is peculiar to most European countries. From my experiences with other Europeans, they feel somewhat connected to America threw obvious things like movies and fast food but besides these few things their connection with America is minimal. On the other hand, the Irish people appear to have a connection to America that is much stronger than their fellow Europeans. Explanations for this strong cultural bond are obvious; Irish people have been emigrating to the U.S. for almost 200 years now and many of them have family in the states.
Furthermore, the Irish people seem to have a strong aversion to anything European and dislike their membership in the European Union. Part of this animosity towards the European Union can be explained by the economic crisis happening right now, but after talking with many Irishmen I’ve found that many of them feel like Ireland “sold out” when they joined the EU. When the Irishmen talk about traveling they never speak of their journeys to the European continent, they talk about their travels in the U.S. They always talk about moving to the United States as if its their secondary place of residence—no transition, they can simply move their and become an American. This is very unusual for most people. Despite strong Irish patriotism, they will easily give up their life in Ireland for an American one.
Wednesday, May 12, 2010
Ireland Old and New
Ireland has an interesting blend of old and new, which is not found in American culture. On the island Inis Meain everyone, young and old, not only embraced traditions, but integrated the traditions into their everyday lives alongside new-age pop culture. At the pub, the adults were teaching the children the Irish style of dancing in Gaelic, and everyone was enjoying it. In America the little boys would not have wanted to learn how to dance because it is considered too girly, but that is not the case in this culture. Then, during the dance lesson one girl started texting. It was interesting to see someone embracing the past and present at the same time because that does not often happen in the U.S. One of the groups of people in our country who embrace traditions is the Amish, but they hold on to the past in exclusion of the present. Most Americans are opposite, in that they discontinue many “old country” practices, like language and other aspects of their former culture in favor of the greater American culture. It was refreshing to see a people who maintain their respect for the old ways while also accepting newer ones.
Irish traditions were such an integral part of life on Inis Meain that they also seemed to be part of the landscape. The most prominent example of this is the ancient fort on the island. It is called dĂșn chonchĂșir, and it dates back to pre-Christian times. Evidence suggests that it was in use through the Medieval Ages, so it witnessed around 2000 years of island history, yet the people use it and the surrounding land for cow pastures. In the States, a monument with that kind of history would be protected and sealed off from the rest of the world, and the government would charge people to see it. On Inis Meain, however, I was free to roam around and even climb the walls. It may seem to some that the people do not care about their history if they let cows do their business on it, but the people keep traditions like dancing and language very much alive. Perhaps the parts of their culture that can be brought with them are maintained, while other parts, like buildings that stay put, are left behind.
Monday, May 10, 2010
The West of Ireland
The Isle of Innismann was entirely rustic. Exploring was most fun when we were able to interact with the local people. It seemed that many people left this teeny island in their young adult years, and returned in their older age. Specifically, Sara and I saw a couple of middle aged alcoholic men at the island's only bar. It was sad to see, but rather telling, because there isn't much to do in the form of entertainment on the island. The island was mostly what I expected after seeing a movie about the Aran Islands in class. The stone fences covering the entire island were amazing. They looked like they wouldve taken hundreds of years to make. It was wild to see the sacrifices the people of Innisman made to made the land livable.
Friday, May 7, 2010
That said, my favorite part of the week so far has been our short trip to one of the suburbs of Dublin near the sea. We visited Joyce's tower and walked down the shore, which was cold but beautiful. Definitely a great break from the city. Everything seemed so relaxed and quiet there, unlike the crowded streets in Dublin. And while part of me felt like a huge creep for looking at a wax mold of Joyce's head made shortly after his death, seeing his tower was fantastic. It's just unreal being that close to one of the most important writers the world has known. I mean, we even saw his vest and bed!
Don't get me wrong, I love Dublin, but having a short change of pace was refreshing. I'm hoping our weekend trip west will feel the same way. And, considering the girls received a noise violation the other night, maybe a soothing adventure is exactly what we need.
So I guess the most important things to take away from this post are:
a) I'm going to live in Ireland.
b) Charming sea towns > huge cities
c) I'm a creep. Stalking James Joyce was great and Seamus Heaney is next.
Thursday, May 6, 2010
Terty Tree
Dublin is a pretty big city, but I was surprised how easy it was to find your way around...at least it was for me. There are a lot of art museums, churches, and other touristy attractions that we were able to visit. I really enjoyed seeing Kilmainham Jail, it was interesting to learn about the history and the fact that it was still standing after hundreds of years Galway is kind of like Dublin, but it's more condensed which was a nice change from the huge city. We went on a Saturday, so there was this cute little street market that I loved. It was fun chatting with some of the local people, however, it appeared that a lot of people were tourists. I was also surprised at how much the girls dressed up to go out to the pubs. I mean girls dress up in America, but this was a little extensive. I don't remember seeing a girl who wasn't in a dress or a skirt, besides Lainey and I. ha. so we felt a little out of place. The guys even dress up, very fashionable men on the other side of the pond. :)
But anyways, I'm definitely seriously considering spending a large amount of time in Ireland so I can see more of the country, and experience more the city life on my own. The Irish people are very proud of their country and it's traditions, however, they are very cohesive and the blending of new traditions through immigration doesn't seem to be as accepted throughout the country. We came across a few immigrants which actually surprised me, I wasn't expecting to see people from Asia, South America, and Africa in a place that I thought was mostly a single culture. I'll talk more about this in my little paper. Cheers :)
Wednesday, May 5, 2010
Dublin
Monday, May 3, 2010
Joy's Adventures of her First 2 Days
Sunday, April 18, 2010
"If God Will Send His Angels" Scene
Finally...I finished my scene for my "Across The U2niverse" concept.
Here's the background of the scene:
The protagonist, David (that guy who looks strangely like me) just got done having a conversation with his best friend, Jess. They both kind of have a romantic interest in each other but neither has said anything to the other about it. Both are seniors in high school and Jess gets upset when David puts off making any sort of decision for what he is going to do the next year (Jess mostly wants him to come to the same school as her). He has applied to colleges but half of him does not even want to do. Jess accuses him of living only in his own technological retreat-world. This scene depicts David trying to make sense of things as he deals with what to make of the technological world that he is ever becoming more fascinated with--it's 1997, he has just gotten a laptop (a supreme rarity at that time for a high school student), and he is discovering the wonders of the Internet, AIM, and other related phenomena.
I have a feeling the idea makes a lot more sense in my own head...I hope this video at least communicates something that relates to what I just described.
Wednesday, April 7, 2010
Irish Music at the Ark
My past history with "real" Irish music doesn't go very far beyond PBS specials that my parents and grandparents made me watch, and all of these shows emphasized on the historical side, and how Irish music was. What I really loved about this performance is the large emphasis that the group placed on how Irish music is.
Sure, there were old songs, and historical background to accompany them, but there were also a lot of innovations, crossovers, etc. and I really think that the group's desire to perform this music authentically and well shone through, making for a great performance and a great reflection of what Irish music is.
Saturday, April 3, 2010
Fintan and Irish Dance
Friday, April 2, 2010
Irish Bands
Stealing My Own Thunder
U2 has, in a way, always had the idea that they do not want to sound quite like anyone else. That's why they've reinvented themselves about a dozen times in thirty years. More on this in a bit...;)
Seriously, though, U2's real roots are themselves. Their inspiration is whatever they want it to be. It's not predetermined. U2 is very particular about what music they put out--they have hundreds of songs basically stuck in the archives that leak out here and there that are really good but that they don't want to release because they are not about fulfilling a set profile on each album--they are about forging into new territory.
Traditional Irish bands are rooted strongly in being Irish. It's what they fall back on. In one sense it's just as wonderful as U2's desire to always be changing, this being strongly rooted in tradition. It's hard to find something as rich as a tradition like that on your own. It's resting on the shoulders of a giant--whatever way you want to take that.
I feel like I more or less said what Natalie said...but that's basically what it is.
Thursday, April 1, 2010
The Night My Social Interaction Skills Were Shattered
That said, the musicians themselves were probably the most surprising part of the night. As I said in class, I didn't expect them to be Irish. I know, the idea of a traditional Irish band made up of Americans seems ludicrous now, but it made sense at the time. It was probably some of the themes we've talked about in class that made me feel this way, like not fully relating to a culture because one grows up with it or Ireland's insecurities. To me, it made more sense for a group of rugged, elderly American men to be playing the music, nostalgic for the "good old days" in a country they've most likely never been to. The fact that young, energetic Irish musicians are genuinely excited to play their country's music was shocking but almost refreshing; it's rare, after all, to find young Americans playing traditional music with so much enthusiasm. I mean, these musicians travel the world playing their music, songs they've probably grown up with. I, on the other hand, have come to loathe certain songs I felt were forced upon me as a kid. If anything, the concert made me feel less touristy and romantic for being interested in traditional Irish music and culture. If it's still relevant to the youth of the country, it must not just be a tourist trap.
It's late and I'm rambling, so I won't get into one of the most embarrassing moments of my life that took place after the music. I won't mention making extended akward eye contact with the cool Chicago piper or blushing obviously while being introduced to the cool Irish musicians. No, I'm not going to swallow my pride that much tonight. For the record, though, I still feel socially awkward.
Celtic Crossroads: Awkward Encounter/Awesome Night
Despite our incredibly awkward picture-taking experience with Celtic Crossroads after the show, I still had a fabulous time. I think something that particularly surprised me was that we were actually nervous to take a picture with the band afterwards...because they were awesome. They were young and hip and immensely talented. They were also very, very proud of their culture. One of the things we discussed in class on Wednesday was how they were almost apologetic for the one band members who were from Chicago and Denmark. But at the same time, I felt that had these members not fully embraced the Irish culture and learned everything possible about the instruments they played, and had both deep passion and deep respect for traditional Irish music, they would have never been in the band. You could tell by watching these guys that passion was a must. They were young and energetic but they were committed to these instruments and what it meant to the culture.
I think something else that surprised me was how deeply moved I was by the music. I’m not Irish and have no explicit connection to the music in any way shape or form, and yet I could feel the power behind the instruments. The harp solo especially—I closed my eyes during it and could picture images of Ireland, images of a land that wasn’t mine, but, as possessed through their powerful music, was most definitely theirs.
I also thought it was amazing how versatile they all were. They all played at least two different instruments, a couple of them did some outrageously amazing dance moves, and it seemed as though there was nothing the lead singer couldn’t do. They also seemed to understand that their audience may not have the same connection as they do with the music, but they were more than willing to help us make some kind of connection with it and enjoy it both for its beautiful sound and its deeper meaning.
Celtic Crossroads
I thought their song choices were interesting. They played a good mix of traditional and modern music. They described the modern songs as influenced by other regions of Europe. Hungary stands out to me as one they mentioned because one of the songs they played sounded very Hungarian, using Irish instruments. I thought it was interesting that the newer music is sort of a combination of musical styles from different regions. I was also interested by the fact that they played an American song. I can see why they did so, since they were in America and they were appealing to the audience, but I didn't really think it was necessary. They're an Irish music group, so the people coming to see them should be expecting Irish music, right? They shouldn't have to play an American song to cater to the audience. I mostly bring this up because it seemed like Cotton Eyed Joe was one of the most enjoyed songs of the concert. Everyone in the Ark seemed to really enjoy it--I include myself in that--some even considering it a favorite part of the concert. Even though I enjoyed it, in my mind it should have secondary importance to the more authentic music they played. But I find myself wondering if I'm making way too big a deal out of it. That's entirely possible. I think it does tie in, though, to what we discussed in class about the apologetic nature of the group when it came to their non-Irish members. There was this assumption that everyone had to be Irish to be in the group and that their music was supposed to be Irish, and I seem to be perpetuating the latter. The presence of non-Irish musicians certainly doesn't detract from their performance, but does it detract from their authenticity? I'm not sure.
The Irish Dance
First, I am not really surprised that such a great dance was born out a sort of oppression. Fintan says “that dancing was about avoiding communication, but instead became a way of escape”, which many forms of expression are. If we look at writers such as Emily Dickerson or someone like Sylvia Plath and even Maya Angelou, who all are great poets, they all have been through such great tribulations in their life and it shows in their poetry. Also, Fintan talks about how the dance was not really popular in Ireland but when it got over in American it was a hit. This is something else that doesn’t surprise. An “Irish Dance” will not be necessarily popular in its own land, simply because no one has approved it. For example, if an artist wants to really be known as a great artist, they will have to expand beyond their city and their region, and go outside of the United States, and that is how you know that you’ve made it. So, by the dance expanding outside of Ireland, it is a sign that the dance has been approved. I think it seems to be popular among Irish immigrants simply because the dancing is a part of their heritage and in the United States they get to express it. Finlan states that when the government banned the dancing, immigration increased. Now that these immigrants are in the United States, they finally get to express it.
Celtic Crossroads
The Ark is a great place, but it is not popular among college students because it tends to tailor its shows toward the older generations. That is why I was surprised that a group like Celtic Crossroads was featured there. The musicians and dancers were much younger than I expected, not because young people do not play Irish music, but because of where they were playing and who they were playing for. The majority of the audience had the gray hair and wrinkles of older parents and grandparents, who often listen to music from when they were young. Perhaps I am wrong to stereotype though. I also enjoyed the modern twist they put in their music. Looking back, I should not have been so surprised that the audience liked it too, even though they were older. Clearly they can recognize talent no matter what kind of music it plays. I was expecting something a bit more traditional, but it was very interesting how they incorporated a wide range of styles into their show.
I also noticed that Celtic Crossroads kept to the theme of loss in their lyrics, which has been a common motif throughout the class. Even the American song they chose to perform was about loss. The lyrics are “If it hadn’t been for Cottoneyed Joe, I would’ve been married a long time ago. Where did you come from? Where did you go? Where did you come from Cottoneyed Joe?” The suffering and loss in this song, as well as one of the others they sang, is masked by upbeat music and a joking tone, as if they are laughing at themselves to keep from feeling sad. This is an interesting way of dealing with one’s feelings, and it is uncommon for Americans to deal with their feelings in this way. Perhaps some of our music would be less whiny and annoying if our artists used this technique.
Tradtional Music and Irish Bands
I was trying to relate this performance in some way to my final project, so that I could maybe incorporate it into my research. This idea of the traditional band like the Celtic Crossroads relates my idea as to why Irish traditional music has become so mainstream and accepted in society. However, this band has not been as widely recognized as those of The Pogues or Flogging Molly, for example. This could be due to the fact that they have not yet had enough coverage, or gained a large enough loyal following. But it could also be related to the fact that their music has maintained almost complete traditionalist sound, while other bands have incorporated more of an rock/punk sound into their music which may make them more relatable to both Irish and American culture.
Celtic Crossroads
Celtic Crossroads: Crossing Barriers
The musicians in themselves were very, very talented. Even if one didn't like the style of music, you could not deny that mastery of skill that these musicians possessed. They played good music, and they seemed to have the basic knowledge of what creates a good show regardless of genre or audience. I was also surprised to see an older crowd packed into the small room to see this young, hip, Irish music playing group. The group seemed as though it would pull in a particular crowd, one that is younger and more appreciative of pop culture. However, I was impressed that they played songs that people of all ages and cultures could relate to. Not to mention their personalities were very down to earth and they were seemingly a bit mature for their age.
It surprised me a bit that the girl in particular seemed to embrace some of the most typical stereo types of the Irish culture, such as drinking, dancing on tables, and just knowing how to "have a good time". Because I always viewed these stereotypes as something that Americans ignorantly imposed on the Irish, I somewhat expected to see natives that tried to dispel the stereotypes and who genuinely did not fit them. I have a greater respect for the music aspect of Irish culture after seeing the band play such a wide array of music because I recognize the Irish influence in a wide variety of American music. I've always had a fascination with Irish dance, and now that I've seen it up close I have the impression that all Irish people dance really well. I suppose I just want a reason to believe that it's not as hard as it looks after all, if the entire people of a culture can do it!
Wednesday, March 31, 2010
Irish Music and Dance
* Comment on CELTIC CROSSROADS. What were your impressions of music, the musicians, the choice of songs, the venue, the audience? Was it what you expected? Did you hear or consider it differently given some themes we've talked about in class?
* Compare what you know about traditional Irish music with a band like U2. What do you think are the band's "roots"? Why do you think they have such broad appeal?
* Discuss your impressions of Irish dance, particularly in relation to the arguments made by Fintan O'Toole in his essay "Unsuitables from a Distance: The Politics of Riverdance".
Saturday, March 20, 2010
St. Patty's Day
After our discussion in class and my observations of (and participation in) this past Wednesday's campus events, I believe that St. Patrick's Day has ultimately become an excuse to drink for Americans. What else would you call waking up at 7am to start drinking then bar hop the rest of the day, maybe go to class in between bar stops, taking a quick nap after a corned beef sandwich, then going out again as if it was a Friday or Saturday night? Someone in class had a good point when they compared St. Pat's Day to both Halloween and a football Saturday; the only difference being that people wear crazy green outfits rather than a costume or maize and blue. Plus, it's even celebrated the weekend before if the 17th doesn't fall on a Saturday.
I believe that all the craziness of the day relates to Irish stereotypes in some way, but why has it become so huge? What is the actual history of St. Patrick's Day and how was it celebrated in the past? How is it actually celebrated in Ireland? And why does the Americanized version revolve around all day drinking? These are many questions I will explore in my project.
Even though there's no rhyme or reason why Americans deck themselves out in green and drink as much Guinness and whiskey as possible in 24 hours, and many people find these actions cliche; it is definitely more fun to join in on the celebration. Afterall, everyone is Irish on March 17th.
Friday, March 19, 2010
St. Patrick's Day
For example, I was at a friend's house, and while most people were sitting around drinking, one person was in the kitchen, checking on a meal of corned beef and cabbage that he had been cooking all day. He then talked about how his mom always made this meal for them on St. Patrick's Day, and we all talked about how we had celebrated the holiday at home.
And I'm sure this happened in various ways all over campus. It's easy to be overwhelmed by the hundreds of people stumbling all over State Street, but I also think that there is another dimension to the day, even for college students, that's not hard to get to.
A not very Irish...but still fun St. Patts Day
I headed further down South University to my fraternity's house. I'm a pledge at Triangle this semester. I was greeted by quite a nice surprise, some friends of mine had set up a few amplifyers on the roof. In all there were three guitars and one bass, and we had quite a good jam session. Below us, some people set up furniture on the lawn and enjoyed the sun and free flowing liquor. Again, everyone was in some shade of green, but no one made any comments about St. Patrick himself, or the loss of traditional blue dress on March 17th; they just talked about what plans were for the evening and how nice the weather was.
The equinox is five days after March 17th. This of course marks the changing of seasons from winter to spring. While meditating on the meaning of St. Patrick's day after class I remembered a lecture on Celtic festivals I listened to last term as part of a class I took on Norse and Celtic mythology. My professor talked about a harvest festival that used to happen in Iron Age Ireland (pre-Roman conquest), where feasts and dances were held, all the celebrating was meant to try and impart fertility on to the land and to celebrate the changing of seasons. When the Romans conquered Ireland, they brought with them Chistianity and (like is done with many holidays, including Christmas) they changed the meaning of this harvest festival to a day about a saint. And through the years the holiday has been adopted in turn to celebrate that saint, or Ireland, or Irishness. But on Wednesday the 17th I celebrated spring and the shift from whipping winds to gentle breezes, darkness at 5:30 to long hours of daylight, and grey to green for godsakes.
The best part of my St. Patricks day was by far a long walk around campus, and a poorly planned picnic that ended very nicely before it even started with a girl whose eyes get a bit greener when the seasons change.
Thursday, March 18, 2010
St. Pattys
St. Pattys Day
To kind of go off what has been said by other people, though, I admired the sense of unity felt on campus yesterday. Even if it was achieved through chugging green beer before pm classes and wearing ridiculous clothing, everyone was thinking about and celebrating the same thing. It may be true that no one knows exactly what it is they're celebrating, but maybe that's far from the actual point. We might just need celebrate for the sake of celebration, for everyone to be happy and carefree for an entire day. It seems like a shame that we can't be as blissful on any other weekday without appearing irresponsible and out of control, but at least there's March 17.
St. Patrick's Day
St. Fratty's Day
Beyond that, nothing too exciting came my way on March 17th. Today I did hear someone describing her day, which consisted of visiting about 5 frats and taking a nap all before 7:30 PM when she started her homework. While these experiences have caused me to consider St. Patrick's Day more heavily than I have in the past, they haven't brought me any more clarity. Why does this massive all-day party occur on this particular day? Why has a holiday originating in Ireland become more celebrated in America, in part by people who aren't even Irish? No other holiday that I can think of inspires the same kind of day-long festivity and copious alcohol (the closest comparison to me is a football Saturday). Sure, most college students will take any excuse to get wasted, but why St. Patrick's Day? And what does it mean beyond this setting with which we are all so familiar? I don't know. What I do know is that the weather was wonderful, the beer was green, and the people were happy.
Playing Culture
St. Patty's Day
St. Patty's Day
St. Patty's Extravaganza
Seeing this insanity so early in the morning I do find it funny that any other day it would be nearly impossible to get thousands of college students out of bed before 8am, but for some reason the green beer, crazy green costumes, and the idea of drinking all day is something of a wake up call. Some people say the crazy partying was because of the weather, however, I don't really think a rainy day would've stopped the majority of these celebrations from occurring.
The reason's for celebrating St. Patrick's Day are unknown to me, but I did know that it was a pretty important holiday to celebrate at college before coming here. At home we had dinner at Grandma's house the Sunday before and we ate Corned-beef and cabbage which was not my favorite meal, but seemed to be a favorite of many of my relatives. I never really understood that tradition either, I think it is some sort of Irish meal. Anyways, for me college St. Patrick's Day celebrations are much different than those at home. I guess it could just be another excuse to party?
The aftermath of St. Patty's
The Day of St. Patrick
I went out a little later riding my bike around by South University, and pretty much saw what I expected--people waiting in lines to get in bars and generally acting somewhat ridiculous. I did have one humorous encounter when I tried to squeeze by walking my bike past the line to Good Time Charley's--I lifted my bike a little bit to get through, and as I did so a man standing in line was looking at me and kept going, "Hey hey man" with an excited look on his face like I was pulling off some amazing feat.
Two other humorous things I saw: a girl with a fake moustache/glasses/nose combination (what this has to do with St. Patrick's day or Ireland or anything, I don't know, but it was cool) and a guy in the dining hall with a full-body neon green nylon suit thing.
Oh yeah, and the soda bread in Mojo was delicious.
St Party's Day
Wednesday, March 17, 2010
St. Patrick's Day Observations
Oh, and watch this before the day is finished.
http://www.youtube.com/watch?v=JFM7Ty1EEvs
Monday, February 22, 2010
The Locket
The opening line in the fourth stanza, "Then you gave me away," addresses the theme of emigration. I found it very interesting that Montague experienced the reversal of what most Irish immigrants did since he was born in the US, but was then sent back to his parent's homeland of Ireland. Doing further research about Montague, I learned that his story becomes sadder because at the age of four he was sent back to Ireland to live with his two aunts since his parents could not afford to keep him and his brothers in the US during the Great Depression. The fact that he went to live with his two aunts reminded my of both Joyce's The Dead and The Cripple of Inishmann.
The final stanza in the poem finally explains the significance of a locket to Montague; "you wore an oval locket with a old picture in it, of a child in Brooklyn." It seems to add a happy tone and ending to the poem and Montague's relationship with his mother since it suggests that while his mother sent him away to Ireland, she always loved him but had a difficult time showing it. Even though I thought this poem was sad, I enjoyed reading it and it was my favorite out of the other poems.
Saturday, February 20, 2010
The Locket
I was touched by “The Locket” by John Montague in its harsh depiction of a mother-child relationship. The poem was one of the easiest to read in terms of telling the reader what is happening in the poem, but it was packed with many of the poet's complicated emotions towards his mother. The poem opens at Montague’s mother’s death when he says “sing a last song for the lady who has gone.” The language is powerful, specifically when Montague states that his mother considered his gender and his birth a “double blunder.” Further, he says he was “not readily forgiven.” Both of these lines suggest his mother is resentful towards her son’s existence and birth. Lines such as “You never nursed me” and “then you gave me away” tell the reader that the mother was extremely distant woman and did not play much of a role in Montague’s life. The poet touches on his mother’s happier youth when he talks about her “young wild days, which didn’t last long for you, lovely Molly, the belle of your small town.” He contrasts his mother’s youth with her adulthood when he talks of her “cocoon of pain.” The poem concludes sadly, when the poet realizes that his mother wore a locket with a picture of him around her neck, which is the strongest image in the poem. The locket suggests that despite her many flaws, Montague’s mother was still attached to her son in some way.
Friday, February 19, 2010
The Cage
I also thought it was interesting how he makes drunkenness a place, an even further, a cage. He makes it seem as though Brooklyn is such an unhappy place, at least for his father, that he would rather put himself in a cage than actually just "be" alive there. I thought that was really interesting, especially in regards to how we have been dealing with the concept of place thus far in the semester.
Fond Memory
Westering
The unifying symbol of the poem is that of the moon. In the beginning, it is given to us in the form of a map, then the moonlight is employed in the description of the speaker and the woman in Donegal, ending with the moon as a religious symbol, perhaps representative of Jesus himself. The religious tones are more apparent upon the second or third time reading the poem. It starts out with the speaker looking up at the moon and in doing so, presumably looking toward heaven. The moon blankets the speaker and his woman on their last night together, further emphasizing the significance of their connection, as though they were being watched over by God. Good Friday is mentioned, an obvious reference to Christianity as it is a religious holiday. When he refers to the two of them as that "dwindling interruption," it gives the inconsequential feeling associated with being compared to the vastness of the universe, both in a religious and a celestial sense. And finally, Heaney ends with the clear connection between the moon and Christ, cementing it as a religious figure.
The title of the poem is important to consider as well, and how the poem fits into a group of works about emigration. "Westering" implies a move westward, both physically and internally. The speaker refers in the fourth stanza to "the empty amphitheatre / of the west," taking the speaker to another place. If we assume that Donegal is in Ireland, Heaney is discussing the summer he spent there with this woman and how it had to end upon arriving at this amphitheater (as we western Americans would spell it) in the west. But from then on, the poem is still describing the couple--as signified by the use of past tense--and how they went around the town and encountered this religious happening. To me, this could signify the religious turmoil in Ireland, perhaps implying that the speaker left Ireland to escape it. The change in tense, particularly at the end when he returns to present, could signify that the speaker is now in the west, away from Ireland, reflecting on everything that he left there, invoking the image of Christ as another tie-in to the theme of religion.
These Poems Are A Bit Odd
"The Locket" is a very peculiar poem to me because it kind of goes against what I was expecting to find in this category of "emigrant" poems--I was expecting to hear something along the lines of a James Joyce/Bono "let's find somewhere else besides Ireland to dazzle us" kind of attitude, but in this poem, John Montague seems to express a deep respect and love for his mother, despite the fact that she did not give him the love that a good mother would give. (I assume that his mother is a native of Ireland, thus associating his respect for his mother with a respect for his Irish heritage, and I gather that he was born in Brooklyn from the poem.)
What's particularly interesting/potentially on the verge of disturbing is the way he seems to romanticize/eroticize his mother with lines about how he came back to court her and about "teasingly untying [her] apron." It's almost as if, because Montague didn't receive motherly love, he doesn't know the way a relationship between one and one's mother should be, and so he tries the best he can to express his love to her.
It's possible that the lines with romantic/erotic connotations are supposed to be symbols of something, but I don't really understand why he would choose to use those kinds of symbols.
The other poem that resonated more with me as I reread it was "Fond Memory." What I gather from the poem is that Boland is speaking of a certain sense he gathered during his childhood (I presume in Ireland?) that, although there has been a great deal of suffering and striving in the past to work out the kinks of human civilization, everything is pretty much smooth-running now, we've pretty much got it figured out. Thus the children cried for the death of the British King, because the king is a part of a system that is good now, when, actually, as Boland finds out later at the end of the poem, he was wrong, there's a lot of conflict that is still ongoing.
This, at least, was how I perceived the poem, because I feel like this was my attitude for a great deal of my childhood, learning about people like Martin Luther King Jr. and thinking that after all of the amazing things done through the movement he led and inspired that racism was like ancient history, only to grow up and realize that race issues are still all over the place.
I could be completely off on a lot of the stuff I said and assumed...so don't hold me to any of it..ha ha!
Thursday, February 18, 2010
A Sons' Love
The poem is a story, in 2nd person, of his mother's life as an immigrant and how her relationship with him reflected the impact that relocation had on her internally. He describes what ultimately happens to his family when he says "when poverty comes through the door love flies up the chimney". At first glance I think that it would be very easy to assume that poverty caused Molly's attention to shift from loving her son to her desperate situation. However I think the point being made is a lot more complex than that. Montague reveals at the end of the poem that his mom really did love him and think of him, to the point where she wanted to carry him with her. "I never knew until you were gone, that always around your neck you wore an oval locket with an old picture in it, of a child in Brooklyn.
Perhaps Molly's love for her son is not shown in the fact that she gave up her child, but in the fact that she loved him so much that she gave him up because she knew she didn't have much to give him. She had to force herself to ignore her innate feelings of love for her child, "I start to get fond of you John, and then you are gone". This suggests that for some reason she felt as though she didn't have the option of becoming attached to her son; as a child probably because she was too poor to care for him, and when he grew up because she was "resigned to being alone". Montague describes her as a "mysterious blessing". I believe that his approach to the situation is the ultimate expression of love. He does not blame her for what she did, he is not discouraged by the fact that she didn't want him when he was born, and he makes the decision to seek her even with the threat of possible rejection. He looks past the things about her that are negative and finds something positive to say, "lovely Molly, the belle of your small town". His love for his mother never wavered, and it turns out that her love for him did not waver either.
The Locket
The poet seems to regret his lack of closeness with his mother, and makes an effort to "court" her. He is rebuffed in his advances, because, he claims, his mother has reisgned herself "to being alone." ALthough, at the very end of the poem it is revealed that Molly always wears a locket around her neck that contains a picture of a baby boy from the Brooklyn (presumably the poet).
As I said earlier, this poem depicts the America met by new immigrants. Newcomers to this country have a difficult time finding steady work and suitable living arrangments. Many end up living in slums not far from where they entered the country. This is likely the case with the poets family as most Irish immigrants stayed in New York. Once deep American povery has taken its toll on the family unit, the family falls apart. The poet's father turns to drinking (see "The Cage") while the mother becomes dispondant and isolates herself from her children. The poet seems to feel the pain of this isolation and makes an effort to seek out his mother's approval by listening to her stories of the old country and trying to emphatize with her.
Unfortunately he is pushed away. But I beleive that he is able to make some sort of peace with his mother by recegnizing the locket that hangs around her neck. This suggests that somewhere within her she cares about her child and may have the desire/capacity to act as a more suitable mother figure in a different enviornment. I beleive the locket allows the poet to see this and enables him to understand that his mother has treated him as she has not necessarely because of who she is but because of the poverty and harships she faced upon entering America.
Making the Move
This poem struck me because of its allusion to Homer’s classic tale, The Odyssey. The narrator walks along his bookshelf, analyzing his own life through his descriptions.
There is a daydreaming tone in this poem. The narrator remembers some of his favorite stories, wishing that his life contained the adventure and excitement that he read about in them. He feels that his life is lacking the romance that Lord Byron wrote about or that he has not made a great contribution to society like Blaise Pascal. He feels that his own life seems meaningless and uninteresting in comparison with these literary and scientific giants.
The narrator returns to reality in stanzas five and six when his wife comes to mind. He still longs for another life, but his bookshelf full of classics suggest that he is well-read, which also indicates that he has been successful in life, at least financially. A common theme in this semester’s readings has been dissatisfaction with life accompanied by an inability to leave; this poem also describes the narrator as being tied to the place he has made his home even though he wants something more from life. He does not have a clear goal in mind, which is why he refers to the greatness of others, as opposed to presenting his own dreams. The narrator then becomes critical of Ulysses’s decision to keep his ties to his homeland and wife. Where Ulysses left his bow with his wife, the narrator would have taken it with him. This says that if the narrator had the chance to leave, he feels that he would have broken all ties with his former life.